An interview with ‘The Doll House’ author, Phoebe Morgan

Writing

Phoebe Morgan, debut novelist and author of psychological thriller The Doll House talks writing, editing, and her advice to young authors with Niall Cunniffe.

Could you give readers a brief introduction to what you’ve published, and what you’re currently working on?

My first book, The Doll House, was published last year. It’s a psychological thriller about two sisters who find themselves the target of a stranger seeking revenge. I’ve just sent my second book to my publisher after doing a structural edit with my agent, so it’s all quite nerve-wracking! It’s another psychological thriller, but the title hasn’t yet been confirmed as yet. Watch this space!

You’re a commissioning editor for a trade publisher by day. Do you think this has helped you improve your writing or editing process and, if so, how?

Yes, definitely. I’m an Editor first and foremost. I work with a long list of authors, so I see both sides of the process. Working as an Editor in publishing has given me a wider understanding of the commercial market, I think, and seeing it from both sides helps me empathise more with authors, and gives me a different perspective. I’ve found comfort in the fact that I know how the publishing process works, all the ins and outs that go into making a book and getting it into readers hands. There’s a lot of work involved!

Do you think aspiring authors should get some experience in the publishing industry to help with their writing and career?

No, I don’t think that’s necessary. I would suggest they read widely and read around their chosen genre. They should keep an eye on what’s doing well and becoming successful – and figure out why certain books are more appealing or gripping than others. But writers should always be true to themselves, too – the market is an ever-changing beast so you’ve always got to keep your own voice and write what you love.

Do you think it’s becoming increasingly common for writers and authors to also have a full time job nowadays?

I think this depends on what stage of the journey they’re at, really. I know a lot of writers who balance writing around full time jobs, some of whom have children as well which is awe-inspiring! As a general point, writing isn’t always the most financially rewarding career in the world, so it’s very common for people to juggle multiple jobs, especially when starting out. I love my job – I always wanted to be an Editor, and I wouldn’t want to simply write on my own, I think I’d go mad! Of course, some authors do write full time; I think it’s a very personal choice.

Do you have a place you always go to write, or somewhere you feel most inspired?

I can write anywhere, though I’ve got a new desk recently which I’m really excited about. The shelves above the desk have some little reminders – a plant my agent gave me, a poster with an inspirational quote, my books about publishing. It’s really nice to have your own space to write, so I guess I’m lucky. However, I wrote most of The Doll House while babysitting in the evenings, or sitting in cafés at night.

How much planning and outlining do you undertake before beginning to write your novel?

I don’t plan at all, to begin with. I find it really difficult. I did write a synopsis for my agent and publisher for my second book, but that’s the extent of it. Everyone works in different ways. I prefer to get the first draft done and then edit it. I’m not one of those writers who can plan out a whole novel with sticky notes and spread sheets. I probably end up writing more drafts. I’m an editor by nature, so I’m most comfortable editing a lot than extensively planning.

Do have any other hobbies and passions, outside writing and publishing?

I’ve very passionate about the Society of Young Publishers; I’m co-chairing the London branch this year. Writing and publishing are where my main interests lie – I’m fairly terrible at everything else! Although I am trying to learn how to cook… with mixed results.

If you have one piece of advice to offer to young aspiring authors, what would it be?

Be persistent. You have to keep going. It’s a good idea to perhaps have your writing read by other people and be prepared to take editorial feedback. Focus on your own journey, and make sure you’re doing the best you can. Don’t fall into the trap of comparing yourself to others – just keep your head down, do the work and make the most of every opportunity.

Keep up with Phoebe’s journey on her website, where she frequently posts about writing, editing and the world of publishing. You can also follow her on Twitter, Facebook, and Instagram.

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A big thank you to Niall for organizing such an insightful interview with Phoebe! Keep yourself in the loop with Niall’s work by following him on twitter and checking out his blog.

 

 

 

♡Ways to spend a rainy day♡

Lifestyle

Today, it is raining. It’s that Southern rain that I’ve become accustomed to these past few years: a fine, drizzly mist that will soak you through no matter how many layers you’re wearing. I usually like to use bad weather as an excuse to revel in the weight of the world’s problems, sitting by my window with a cup of coffee and a sad novel… However, today I’m up, ready, and waiting in town to catch up with some of my favourite people.

Something you should know about me is I’m one of those friends that doesn’t really keep in touch. I’d call myself a low-maintenance friend, but I think the most accurate phrase would probably just be, uh, bad friend. I’m the kind of friend that will go weeks without seeing you and then hold a three-hour-long coffee meeting so we can catch each other up on the month’s happenings. And repeat. I feel like I have more of an excuse with my friends that live far away (I didn’t forget about you, I just live far away, duh), but I have amazing friends that live in the same city as me and are rarely factored into my busy (ish) schedule.

Saying this, I never fall out of touch with people. You can bet your ass that whether it’s been weeks, months, or years – if our friendship is important to me, I will find a way to claw my way back into your life. Working, doing an MA and trying to write a novel decent enough to get published means that I have to schedule in Catch Up Meetings whenever I find a spare day. Today, as rainy and gloomy as it is, is that spare day.

Having stayed over at a friend’s last night, and just met another friend for lunch, I’m now waiting patiently in Starbucks for my aforementioned coffee meeting with friend number three. I’d say I’m smashing my Catch Up Day so far!

There’s a lot of other things I need to be focusing my attention on as well, so this nice little break in my Catch Up Day is being well spent working on some of the deadlines I have due in December. I’m so excited to start my new job as a bookseller on Sunday, but until then, I need to make sure I’m ahead of all my Uni work and manuscript deadlines, to take a little bit of weight off my shoulders before Christmas.

Today, it is raining. But I will be essay-planning, creative writing, manuscript editing, coffee-drinking and catching up with old friends… so I hardly think I’ll notice the rain at all.

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Click here to read all about why I think ‘getting our lives together’ is absolutely overrated. (Let’s be messy together.)

Interviews with Aspiring Writers: Niall Cunniffe

Aspiring Writers Series

Aspiring novelist Niall Cunniffe talks vampires, teenage fiction, and finding your own place in the writing community.

Could you give readers a brief introduction to what you’ve written, and what you’re currently writing?

To date, I have written one and a half books, including several short stories. I wrote my first book one summer while at University, having failed to find a job and wondering what to do with all my time. I’d been studying English Literature, so I thought, why not write a book?

I didn’t have much of a plan, apart from write a modern Gothic story for today’s readers. The book is called Elm, a character I was then obsessed with. I got up every day, started writing at 10am, and didn’t stop until I wrote 2,000 words.  Only about half way through the book did I actually know where the story was going. I think I finished it in about a month, and have been editing it since – that’s when the real work begins!

I am also currently writing a vampire book, and hopefully series, for teenagers as part of NanoWrimo. I’ve just hit the half-way point so wish me luck!

Do you have a place you always go to write, or somewhere you feel most inspired?

I wish I had my own ‘writing place,’ but my current lifestyle doesn’t allow for such luxuries. It’s difficult to find somewhere quiet in London. I tend to write best at home, in Ireland, as there are few distractions and I can let my mind wander. Thinking is very important, and undisturbed time. Libraries close too early, so that’s out. I get very distracted writing in cafes, as I am drawn into conversations and sometimes find them more intriguing than my writing! It’s terrible, I know, but I think all writers are curious like that.

Who is your favourite author at the moment?

Oh gosh – I admire so many for different reasons. I don’t think I have a favourite author. I mean I admire J.K. Rowling, Stephen King, Dan Brown, but all for very different reasons, like how they have contributed to the publishing industry and beyond, not necessarily because of their writing. In terms of writing, if Madeline Miller has a follow-up to The Song of Achilles, let me know.

Do you think having a writing community is a good idea for aspiring writers?

Absolutely. It is important to stay motivated, and having others around you for encouragement definitely helps. Writing is a lonely pursuit, plagued with self-doubt. Ensure you surround yourself with encouraging people, unless of course you are one of those lucky few who have the utmost belief in themselves.

What is your favourite age range and genre to write for?

I would say teenagers and young adults. I read a lot of books as a teenager, so I feel I know how to write for that age group. Books helped me a lot as a teenager, so I feel I should help others struggling in that age group too. My favourite genre would be horror. There’s so much you can do with it, and so many sub-genres to explore.

If you have one piece of advice to offer to young aspiring authors, what would it be?

Believe in yourself. There won’t be a word on the page if you don’t believe in yourself.

 

You can keep up to date with Niall’s writing on his twitter or on his blog. Big thanks Niall for taking part in the Aspiring Writers Series!

If you are an unpublished writer with your own writing journey to share on Quills and Coffee, drop me an email at quillsandcoffeeblog@gmail.com. 

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Interviews with Aspiring Writers: E.F. McAdam

Aspiring Writers Series

From her hometown of Manchester, aspiring author E.F. McAdam talks noisy writing places, the importance of Young Adult fiction, and why you should grab yourself some writer friends, ASAP.

Firstly, could you tell us a bit about yourself and your current writing projects?

I’m Eleanor McAdam and I’m a Bath Spa Creative Writing graduate. At the moment I’m working on a seven book series of which I’ve completed two and started the third (that’s not including editing). The series is about a post-apocalyptic world in which Gods can be seen in human form: sitting on clouds, trampling cities and the like (I’m sure you can see now why it’s post-apocalyptic). The series follows Hara, Demigod of Sin, who is struggling to find his place in the world and protect the people he loves, namely Liliana, a girl who he gifted at birth. In a world with monsters, magic and some seriously messed up cults, the series follows Hara and his companions in the hope to regain a semblance of balance between the Creator Gods, Life and Death.


Are there certain must-haves for you to create your writing environment? 

For me (and I know I’m weird on this one), I need noise. I write best with other people, with music, in a bustling environment. Ideas come best to me walking on or the bus, so I’m sure to carry a notepad wherever I go. But when I need to get some serious words on paper, I usually sit in a coffee shop. The downside to this? It’s expensive! At home, I struggle to write, especially if it’s quiet. I can write while watching TV or a film, but mostly prefer it when my boyfriend is playing a game (and it helps when the genre is the same to inspire me!). But other than the actual environment, all I need are my notepads, coloured pens and my laptop. Then I’m good to go!


What are your favourite age ranges and genres to write for, and why do you think it’s important?

I am a fantasy and science fiction writer mainly, and usually stick to either adult or YA (most people tell me I’m best at YA). Everyone knows why YA is important: it’s the safety of a children’s book with all the real life issues and tragedy of an adult’s novel. My own novels (if they are indeed YA as I’m starting to believe) are horrifically awful, but that’s the point – it lets teenagers read it from the safety of their own lives.

I believe fantasy and science fiction are undervalued as a genre. They not only allow imagination to grow and an escape from our own horribly boring world, but they are often metaphors for real life. I can never completely make up a new world, whether fantasy or alien, so I use our own world as a base. I take the weird and wonderful and often atrocious events and places from our own world and explore. It’s the perfect way to highlight the terrible things we do: such as colonising a new planet and killing all the aliens, just as colonists have done hundreds of times in our lifetime.


Where’s your favourite writing place?

It’s changed over the years: first, the end seat on the sofa at my childhood home. For some reason, I’ve always loved that spot. I’d spend days on end there, barely moving (apart from snacks) and it has produced a lot of stories.

When I went to university, I was amazed to find my bedroom in second and third year was perfect. I didn’t use my desk, just sat in the chair and had my legs up on the bed. From that position, I could see through my window and watch the traffic of Bath bustling by.

Now, it’s a cute little café Nero by the river in Manchester. I love the barristas and I love my little booth at the back (anyone who follows me on Instagram will know that!). I’ve written both the books in my novel there, and I intend to keep that spot for as long as I can.


Do you think it’s important for writers to have a writing group to workshop with?

Before university, I wouldn’t have agreed. I hated showing anyone my work, but after that got beaten out of me at Bath Spa, I loved it. I value every single one of my friends’ opinions and I know they are honest and truthful. The key is to not only find someone with whom you’re comfortable enough to share honestly, but someone who writes just as well as you do. Non-writers are great readers to give a clue of the audience’s reaction, but real editors your own age are the best. I’m so lucky to have met so many at Bath Spa!


Finally, what advice do you have for young aspiring writers?

It’s cliché, but just keep writing. It was one of the hardest things to get my head around, but you need to just write. Don’t get too crazy on the right word in the right sentence; just write something and move on. My first drafts are awful, but my second is better. I’m a total ‘write first edit later’ writer. If somethings on the paper, not only will you feel better about yourself, but you’ll be able to finish things much quicker.

And lastly, believe in yourself. Anyone can be a writer and anyone can get published. You just have to want it.

 

Big thanks to Eleanor for a fun and inspiring interview! If you’re an unpublished or aspiring writer and would like to be featured on Quills & Coffee, drop me an email at quillsandcoffeeblog@gmail.com. Or if you’ve been motivated by this interview – leave a comment below!

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Keep your eyes open: inspiration is everywhere

Writing

It was only this afternoon, when I spotted an abandoned antique shop on the way to Callen‘s house, that I realised how much of my writing is influenced by normal, mundane, everyday things.

A bit of context for you – I was heading to my friend’s house because he has the new Taylor Swift album and, uh… I need to listen to it. On repeat. So, I was POWER-WALKING through Bath, desperate to go and listen to some banging tunes, and then I saw this antique shop. It’s kind of run-down. Decrepit, really. It’s so dirty that the windows look grey, and there are old rusting bars across the door, and Scott’s Antiques is written along the top in a creepy, willow-y font. I had to stop. Look. Take it in.

I’ve already decided that this particular antique shop will be picked up from picturesque Bath and plonked wherever I decide it needs to be in my novel. I have so many ideas already – haunted objects, illegal squatters… All of this came from that one shop, a shop that I’ve walked past a thousand times and never noticed. Maybe if I had been even more desperate to listen to Taylor, or if I’d crossed the road at a different point, I never would have seen it at all.

“You cannot wait for inspiration. You have to go after it with a club.”

Every Creative Writing lecturer or guest speaker will always tell you the same thing – carry a notebook everywhere. I used to just kind of ignore that little bit of advice. Uh, I have things to do? I can’t just whack out my notebook in the queue at Starbucks because I see some woman has cool hair that I want to use for a character. But, flash-forward a few years, and I rarely go anywhere without a notebook / laptop / some form of writing instrument.

It’s not just settings either – cool antique shops or whatever catches your eye – it’s everything. People can inspire characters, certain places invoke certain feelings, and any kind of sensory experience is absolute gold-dust when you’re writing in first person. As a writer, I believe your brain is already hard-wired to look out for this kind of stuff. You’ll store anything you see automatically, but you might not actually use it unless you’re paying attention. When you see something that inspires you, make a note of it so you can integrate it into your creative work later.

I guess what I’m trying to say is, if another writer tells you that it’s important to always have a notebook… don’t ignore them. You’re wasting time. Get a cheap (or expensive, whatever floats your boat) notepad and just keep it with you. Because, honestly, ideas can flit so quickly out of your head. You know when you have a cool dream and then you can’t remember it in the morning? Same kind of deal. Just make sure you have something to WRITE with when inspiration strikes.

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♡ Productive days (and why they’re fun) ♡

Lifestyle, Writing

First off, let me just say that I am probably the least productive person on the planet. So, when I actually have productive days, it’s something of a surprise. A miracle, some might say.

This morning, I started my day by blasting Taylor Swift’s new tune and cleaning my kitchen. Laugh if you will, but dancing around gets me moving and wakes me up – and the only way I can suffer through cleaning is by making it (semi) fun. Call it what you want (get it?), but I’m calling it productive.

I cleaned, I got dressed, I made breakfast – all huge achievements. While I was relaxing with my green tea, my good friend Callen was on his way over to my house, and we spent the day manuscript editing (because my deadline is Friday, in case you’d forgotten. I most certainly have not). My novel is split into Part One and Part Two, and today we smashed the edits on Part Two. I have lots of revisions to type up, and a final chapter that needs reworking completely – but I’m going to tackle all of that tonight.

It was really helpful to talk through all of Callen’s notes, and to decide which characters I can afford to lose, and which one’s need to be developed further. We have our Master’s course on Wednesday’s, and I’m heading to London on Friday… So, I only have three solid days in total to finish the rest of the revisions. Which is fine. Totally fiiiine. *Inserts Ross Geller’s overreaction GIF*

We’ve drawn up a timetable for the chapters that need the most work, so I’m feeling confident about what needs to be looked at. I have five chapters to do tomorrow, eight to smash on Tuesday, and, uh, the rest of the novel on Thursday. (I’m fiiiiine.)

Overall, I think today was super productive, and I’m thankful I have such a wonderful writing buddy to rock up at my door with co-op meal deals and endless words of support and encouragement (and sometimes firm, “Nope, cut it” ‘s that are equally important and appreciated).

Anyway – I’m procrastinating now. Lots to write / edit / cut out completely. Enjoy Bonfire Night everyone! Be safe!

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Quick Fire Questions: Sophie Victoria Rowe and Callen James Martin

Aspiring Writers Series

Sitting in their favourite writing spot, budding authors Callen James Martin (Type Write Read) and Sophie Victoria Rowe (write me wild) answer a series of writerly questions over several rounds of tea and poached eggs. (The tea was for Sophie… the eggs were for a slightly hungover Callen, who channelled his inner Gaston).

What is your favourite genre to write?

S: Contemporary, because I feel I can connect more with the characters. They’re more vivid in my imagination.

C: I’m not really fussy. I like an element of Gothic in my stories; the aspects of mystery and the need to solve something really resonate with me.

 

If you could be any fictional character, who would you be?

C: I’d want the bookish smarts and moral sense of right and wrong of Hermione Granger, with the fierce loyalty of Katniss Everdeen.

S: Sophie from the BFG. She was my childhood goal, and I saw her ambitions as my ambitions.

C: Could I also have Matilda’s independence and her… what do you call it?

S: Gumption?

C: I’d have her gumption. Her go-get-it attitude; here is an issue – and I’m going to solve it.

 

What is your favourite age range to write for?

S: Definitely Teen. I feel like I know a lot about being a teenager, and I know a lot of teenagers who are able to help me make my characters as realistic as possible. When I was a Teen reader, I’d look for books that had protagonists that I could see parts of myself in – whether that be physically or emotionally.

C: It used to always be YA… recently, though, I’m discovering a passion for Teen and Middle Grade. I’m really liking Teen at the moment. I like realistic characters making their way into unrealistic worlds.

 

Do you find it easier to write protagonists that are the same gender as you are / that you have lots in common with?

C: Absolutely not. It’s only recently that I’ve been able to write a male character, and in a way… I’m finding that harder. I keep wondering whether I’m writing this male character from my own experiences, rather than something that will be relatable to a wider audience of young boys.

S: In some ways, I find it easier. I can imagine it, and I know what it’s like to be a girl. Particularly when covering female topics or issues. When it comes to teenage boys, I find myself struggling to create a realistic character. I’m more likely to slip into stereotypes to write my way through.

C: See, I only had girl friends growing up, which is why it’s probably easier for me to relate to a female readership. Like Sophie said, I do worry about slipping into stereotypes.

 

Can you both give me a brief overview of your current writing projects?

S: I’m currently working on a contemporary novel, for a Teen readership. It dabbles with a variety of conflicts that arise at that age; social hierarchies, first loves, friendships and personal development. The novel follows Piper and Erin, two fifteen-year-old’s who used to be best friends, but have grown apart over the years. They are forced back together when Piper’s mum becomes ill and Piper has to move in with Erin and her family (including Erin’s brother – Piper’s crush, Ethan). Throughout the plot, the girls have to figure out how to deal with the situation, whilst trying to retain their social boundaries.

C: I am studying an MA in Writing for Young People, and my current project is a contemporary coming-of-age novel for a Teen readership. In a nutshell, my novel is about choosing to be who you are, not who others want you to be. It follows Noah, aged fifteen, as he deals with his sexual identity, his restrictive home life… and a stalker who knows everything about him – things he doesn’t even know himself. (Oh – and there’s a dog, called Chestnut!)

S: …who I named.

 

Who is your favourite children’s author at the moment?

S: Sara Barnard. Without a shadow of a doubt. She just has such an elegant way of displaying such personal disasters. Her characters are my friends by the end of the first chapter, and I’m hooked on their journey until the last page. You never know what’s coming next with Barnard, and I’d love to be able to take readers on the same journey. Characters in Teen fiction are so important – so having ones that a reader can really identify with really makes a difference.

C: My current Oh My God author is Robin Stevens. She has a knack for creating fully-rounded antagonists that, as a reader, you can’t help but feel things for. Not only that, but she’s not afraid to comment on cultural and social differences between characters. As an author, she deals with the Big Things – she makes you laugh, cry, or feel whatever you need to feel for the characters at that moment… Like Sophie said, she creates characters that I want as my best friends. Hazel Wong and Daisy Wells — where you at, gals?!

 

Finally, do you have any advice for young aspiring writers?

S: Write, write, write. Read, read, read.

C: I agree. For myself, the biggest learning curve that I’ve recently realised is sometimes, you can plan a novel and everything seems to flow… but other times, you’ll sit there with a blank piece of paper and nothing will come. Some ideas can’t be planned, you can only figure them out by diving in and blindly writing them.

S: Yeah, I never plan. I know the basic idea of what I want to write, and then I just write. It’s never in the right order, my scenes don’t match… and sometimes they don’t even get included.

C: –very true. When you’re blindly writing, be prepared to throw away thousands of words – not everything is going to be included in the final cut. It’s important to have done it anyway, though – through it, you’ll get a better sense of character. It’s all part of the world building.

S: No matter whether it’s included or not, it gets you into the routine of writing. Even if it is rubbish. It’s words on a page. It’s something. Write, write, write.

C: …read, read, read.

 

You can read Callen & Sophie’s blogs here.

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