I learnt to drive in a field (and other fun things that happened this week)

No Fixed Abode

It’s still about thirty degrees and we haven’t seen any sign of the promised thunder storms yet. I swear, Beth and I have spent our days moaning about the weather like typical Brits, unable to accept that the weather won’t actually do what we want it to. It’s almost like the world doesn’t revolve around us or something.

Despite the weather driving us mad, we’ve found time in between bitching to do some interesting things this week. One of those being Beth attempting to teach me to drive on our little campsite. I, personally, think that I did quite well. Having only just gotten my provisional license at 22 years old and never getting behind the wheel before, I’m still not sure I fully understand what a clutch is or what it’s supposed to do.

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Still, I managed not to hit anybody’s caravan. I was very proud of being able to drive between two picnic benches like an absolute pro without totalling Beth’s car; though I did end up pulling up next to somebody’s campervan in a panic and then watching with despair as they waited patiently for me to get out of their parking space. You win some, you lose some.

Another wonderful thing that happened this week is that I finished the book I’ve been reading and have popped it on my Top Ten Books of All Time list – whic9781784294007.jpgh is really saying something. If you haven’t read Only Ever Yours by Louise O’Neill, you really, really ought to. It’s so beautifully written and interesting and current and feminist. Only Ever Yours is just amazingly reflective of today’s society and the pressure that is put on women to act, look, be a certain way. I can’t stop raving about it. I finished the final chapter last night, curled up on the floor of our tent, gaping at the page and muttering incoherent thoughts at Beth and then re-reading the chapter again. It’s very rare that I am so profoundly impacted by a book that I want everyone to read it, but yes. Wonderful. Bravo, Louise.

36469019_10212082063595800_3202880257929510912_n.jpgOn another note, we have now had Quiche for our dinner four (five?) nights in a row and are still not bored of it. Did you know there are, like, a million different types of Quiche? And you can just put some salad with it, and it’s a meal! We love it! Perhaps we will have to stray away from the Quiche soon, though, as to not wear it out… (Or not. We love Quiche.)

A few new tepee-style tents have been put up on our campsite, which has thrown a bit of change into the mix. Usually we spend our evenings on our little picnic bench, watching people walk their dogs around the field and passing comment on the outfit choices of our fellow residents, but now… Now we have something new to watch. We have been speculating about the use of these mysterious yurts, and we think they have been set up to house people at a festival nearby this weekend. Apparently, the tents will be packed up on Sunday. We will see.

The cows were pretty loud last night. The poor bastards in the yurts probably didn’t sleep a wink. Beth and I thought maybe they were being taken for slaughter, but the mooing commenced at about six p.m. yesterday and was still going at seven thirty this morning when we left for work. I have never heard anything like it. I am buying earplugs today.

Anyway, I got exciting news yesterday that my book is ready to be sent off to publishers, so today I am madly writing my synopsis and author bio ready to send out! This afternoon, while Beth is working, I’m going to walk back to my old road (I can’t believe we don’t live there anymore!) and see my lovely neighbour Kath, so that we can have lunch together like the good old days.

Enjoy the weekend sunshine while it lasts. I’m betting on a thunderstorm very soon.

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Interviews with Aspiring Writers: Niall Cunniffe

Aspiring Writers Series

Aspiring novelist Niall Cunniffe talks vampires, teenage fiction, and finding your own place in the writing community.

Could you give readers a brief introduction to what you’ve written, and what you’re currently writing?

To date, I have written one and a half books, including several short stories. I wrote my first book one summer while at University, having failed to find a job and wondering what to do with all my time. I’d been studying English Literature, so I thought, why not write a book?

I didn’t have much of a plan, apart from write a modern Gothic story for today’s readers. The book is called Elm, a character I was then obsessed with. I got up every day, started writing at 10am, and didn’t stop until I wrote 2,000 words.  Only about half way through the book did I actually know where the story was going. I think I finished it in about a month, and have been editing it since – that’s when the real work begins!

I am also currently writing a vampire book, and hopefully series, for teenagers as part of NanoWrimo. I’ve just hit the half-way point so wish me luck!

Do you have a place you always go to write, or somewhere you feel most inspired?

I wish I had my own ‘writing place,’ but my current lifestyle doesn’t allow for such luxuries. It’s difficult to find somewhere quiet in London. I tend to write best at home, in Ireland, as there are few distractions and I can let my mind wander. Thinking is very important, and undisturbed time. Libraries close too early, so that’s out. I get very distracted writing in cafes, as I am drawn into conversations and sometimes find them more intriguing than my writing! It’s terrible, I know, but I think all writers are curious like that.

Who is your favourite author at the moment?

Oh gosh – I admire so many for different reasons. I don’t think I have a favourite author. I mean I admire J.K. Rowling, Stephen King, Dan Brown, but all for very different reasons, like how they have contributed to the publishing industry and beyond, not necessarily because of their writing. In terms of writing, if Madeline Miller has a follow-up to The Song of Achilles, let me know.

Do you think having a writing community is a good idea for aspiring writers?

Absolutely. It is important to stay motivated, and having others around you for encouragement definitely helps. Writing is a lonely pursuit, plagued with self-doubt. Ensure you surround yourself with encouraging people, unless of course you are one of those lucky few who have the utmost belief in themselves.

What is your favourite age range and genre to write for?

I would say teenagers and young adults. I read a lot of books as a teenager, so I feel I know how to write for that age group. Books helped me a lot as a teenager, so I feel I should help others struggling in that age group too. My favourite genre would be horror. There’s so much you can do with it, and so many sub-genres to explore.

If you have one piece of advice to offer to young aspiring authors, what would it be?

Believe in yourself. There won’t be a word on the page if you don’t believe in yourself.

 

You can keep up to date with Niall’s writing on his twitter or on his blog. Big thanks Niall for taking part in the Aspiring Writers Series!

If you are an unpublished writer with your own writing journey to share on Quills and Coffee, drop me an email at quillsandcoffeeblog@gmail.com. 

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Quick Fire Questions: Sophie Victoria Rowe and Callen James Martin

Aspiring Writers Series

Sitting in their favourite writing spot, budding authors Callen James Martin (Type Write Read) and Sophie Victoria Rowe (write me wild) answer a series of writerly questions over several rounds of tea and poached eggs. (The tea was for Sophie… the eggs were for a slightly hungover Callen, who channelled his inner Gaston).

What is your favourite genre to write?

S: Contemporary, because I feel I can connect more with the characters. They’re more vivid in my imagination.

C: I’m not really fussy. I like an element of Gothic in my stories; the aspects of mystery and the need to solve something really resonate with me.

 

If you could be any fictional character, who would you be?

C: I’d want the bookish smarts and moral sense of right and wrong of Hermione Granger, with the fierce loyalty of Katniss Everdeen.

S: Sophie from the BFG. She was my childhood goal, and I saw her ambitions as my ambitions.

C: Could I also have Matilda’s independence and her… what do you call it?

S: Gumption?

C: I’d have her gumption. Her go-get-it attitude; here is an issue – and I’m going to solve it.

 

What is your favourite age range to write for?

S: Definitely Teen. I feel like I know a lot about being a teenager, and I know a lot of teenagers who are able to help me make my characters as realistic as possible. When I was a Teen reader, I’d look for books that had protagonists that I could see parts of myself in – whether that be physically or emotionally.

C: It used to always be YA… recently, though, I’m discovering a passion for Teen and Middle Grade. I’m really liking Teen at the moment. I like realistic characters making their way into unrealistic worlds.

 

Do you find it easier to write protagonists that are the same gender as you are / that you have lots in common with?

C: Absolutely not. It’s only recently that I’ve been able to write a male character, and in a way… I’m finding that harder. I keep wondering whether I’m writing this male character from my own experiences, rather than something that will be relatable to a wider audience of young boys.

S: In some ways, I find it easier. I can imagine it, and I know what it’s like to be a girl. Particularly when covering female topics or issues. When it comes to teenage boys, I find myself struggling to create a realistic character. I’m more likely to slip into stereotypes to write my way through.

C: See, I only had girl friends growing up, which is why it’s probably easier for me to relate to a female readership. Like Sophie said, I do worry about slipping into stereotypes.

 

Can you both give me a brief overview of your current writing projects?

S: I’m currently working on a contemporary novel, for a Teen readership. It dabbles with a variety of conflicts that arise at that age; social hierarchies, first loves, friendships and personal development. The novel follows Piper and Erin, two fifteen-year-old’s who used to be best friends, but have grown apart over the years. They are forced back together when Piper’s mum becomes ill and Piper has to move in with Erin and her family (including Erin’s brother – Piper’s crush, Ethan). Throughout the plot, the girls have to figure out how to deal with the situation, whilst trying to retain their social boundaries.

C: I am studying an MA in Writing for Young People, and my current project is a contemporary coming-of-age novel for a Teen readership. In a nutshell, my novel is about choosing to be who you are, not who others want you to be. It follows Noah, aged fifteen, as he deals with his sexual identity, his restrictive home life… and a stalker who knows everything about him – things he doesn’t even know himself. (Oh – and there’s a dog, called Chestnut!)

S: …who I named.

 

Who is your favourite children’s author at the moment?

S: Sara Barnard. Without a shadow of a doubt. She just has such an elegant way of displaying such personal disasters. Her characters are my friends by the end of the first chapter, and I’m hooked on their journey until the last page. You never know what’s coming next with Barnard, and I’d love to be able to take readers on the same journey. Characters in Teen fiction are so important – so having ones that a reader can really identify with really makes a difference.

C: My current Oh My God author is Robin Stevens. She has a knack for creating fully-rounded antagonists that, as a reader, you can’t help but feel things for. Not only that, but she’s not afraid to comment on cultural and social differences between characters. As an author, she deals with the Big Things – she makes you laugh, cry, or feel whatever you need to feel for the characters at that moment… Like Sophie said, she creates characters that I want as my best friends. Hazel Wong and Daisy Wells — where you at, gals?!

 

Finally, do you have any advice for young aspiring writers?

S: Write, write, write. Read, read, read.

C: I agree. For myself, the biggest learning curve that I’ve recently realised is sometimes, you can plan a novel and everything seems to flow… but other times, you’ll sit there with a blank piece of paper and nothing will come. Some ideas can’t be planned, you can only figure them out by diving in and blindly writing them.

S: Yeah, I never plan. I know the basic idea of what I want to write, and then I just write. It’s never in the right order, my scenes don’t match… and sometimes they don’t even get included.

C: –very true. When you’re blindly writing, be prepared to throw away thousands of words – not everything is going to be included in the final cut. It’s important to have done it anyway, though – through it, you’ll get a better sense of character. It’s all part of the world building.

S: No matter whether it’s included or not, it gets you into the routine of writing. Even if it is rubbish. It’s words on a page. It’s something. Write, write, write.

C: …read, read, read.

 

You can read Callen & Sophie’s blogs here.

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Editing your manuscript: how to start and what to look out for

Writing

So you finished your manuscript! Congratulations! Now comes the hard part… editing that bad boy to high heavens. *Taylor Swift voice* Are you ready for it?

The first thing to do when you’ve finished your manuscript – when you’re sitting in front of that final page wondering how the hell you managed to do it – is make yourself a brew and revel in your achievement. You’d probably benefit from leaving your manuscript for a week or two and just enjoying that life you weren’t able to have whilst writing it… But, if you’re like me and you just want to leave it a few hours and get cracking – here’s what you want to do.

Identify the elements you need to look for. Good ones to start with are the broader elements: plot, characterisation, setting and voice.

  • Plot – When you’re rinsing through your manuscript looking at the plot, you’re focusing on plot holes and inconsistencies. Sometimes it helps me to write a timeline as I’m reading through, so I can see exactly what I wanted to happen to the characters, and what actually ended up happening.
  • Characterisation – Time to whack out those character profiles – you know, the ones you drew up six months ago…? Get them out, pin them up, and make sure that you’ve been consistent with each character throughout the novel. This is not just about your protagonist! Every little walk-on or secondary character needs their own individual plot-line and motivations. (Top tip: look at your protagonist in the first and last chapters — have they developed enough? Or not at all?)
  • Setting – Setting is something that you don’t need to get too caught up on, but you still need to give a significant amount of thought to. Have a rinse through the novel and see how frequently the setting changes, and when it does – have you been consistent in your descriptions? If you’ve described an empty church at night-time, make sure it isn’t sunrise five minutes later – that kind of thing.
  • Voice – This is a big one. There are some incredible novels that use the voice of their protagonists to show character development (see: How I Live Now by Meg Rosoff). Does the voice of your protagonist employ this technique? Do they start off with an accent that slips a few chapters in? Is there a certain phrase you wanted them to use throughout the story? …You get the gist.

When you’ve had a look through and narrowed down the broader aspects of the plot (and bear in mind, this might take anywhere from a week to several months…), you can move on to looking at the smaller elements. I say ‘smaller’, but these things are equally important. Grammar, syntax, layout… Allll the boring stuff that is actually ridiculously vital if you want a publisher to even pick up the manuscript.

There are standard formats and layouts that most publishers or literary agents will be comfortable with (clear fonts like Arial or Times New Roman, double spacing…) – but it is 100% worth checking the website of who you are likely to submit your work to. Its almost a guarantee that the few agents you pick out will be asking for the same kind of thing, but it’s always worth checking. Always.

If grammar isn’t really your thing, this is where you want to get your beta readers involved. These are a few people that you trust – and nah, this doesn’t mean your mum. Often, you can just drop a tweet into the inter-webs and see if anyone is up for reading your work. If you’re writing YA, for example, you’re going to want someone who likes to read YA and might be a potential reader in the future – these are the kind of readers who know what they’re looking for in a character or plot. You want to choose a few people (I’d suggest 3-5) who have an impartial opinion (aka not your mum or granny) and might actually know what they’re on about.

I, personally, wouldn’t bother paying a professional editor if you have people in your life that are decent with grammar and punctuation that could help you out. Don’t waste your cash. If you can get your formatting and syntax sorted for agent submission and manage to bag an agent on the quality of your plot and characters, an editor is something that they will sort out for you further down the line.

I hope all of this makes a decent amount of sense… good luck, guys! Happy editing – and if you have any questions about editing, manuscripts, or the whole process of finding beta readers for your novel, drop them below.

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Writers for children should cling onto their imagination for as long as they can

Writing

An important question: can adults still act like kids and get away with it?

(An important answer: yes.)

I’m lucky enough that two of my closest friends are following the same career path as me. We are all aspiring children’s authors, which is wonderful and wild and an awful lot of fun, but sometimes it’s easy to slip, from writing kids stories, back into adult mode. Particularly when you have to flit from thinking of a great name for a magical kingdom, to wondering what date you’re supposed to pay council tax…

This weekend, my two budding kids lit writers and I had a sleepover. It was wild. I think – particularly if you’re writing for a teen (11-14) audience – having grown-up sleepovers is hugely important. It’s wonderful to forget how old you are for a second and immerse yourself into the nostalgia of your teenage years.

Of course, there are little details that remind you that you’re still kind of in the adult world. For example, rather than getting our mum’s to drop us off at Callen’s house, Sophie and I drove to Sainsbury’s to pick up all of the necessities (junk food, face masks, etc) and then dropped ourselves off at his house. Weird. But, still.

When we arrived, it was an immediate let’s all get into our PJ’s and listen to Taylor Swift on repeat moment, which is obviously the moment we’re all waiting for at a sleepover. We watched Beauty and the Beast (the new one, obvs! Emma Watson is stunning) and then took a ridiculous amount of photos – most of which ended up looking like awkward family portraits.

The point of this is: after we all went back to our respective houses on Sunday, I sat down to immediately write. There’s something about acting like a bit of a kid that will really open up your imagination, and suddenly it’s as if you are literally fifteen years old and you can delve right into the head of your character.

Getting into the heads of your intended target audience is a very common (and practically compulsory) technique when writing children’s literature. If you are writing for 8-12’s (middle grade, for American readers), then why aren’t you outside making magical ‘potions’ in the garden – or curled up in a makeshift sheet-den watching Spongebob Squarepants?

Maybe it’s easier for those writing for young adults (14+) because that’s the age we were most recently… but even so, get out there and do whatever your character does on their average evening. Go roller skating (if you’re skilled enough), or shopping with your friends, or go drink smuggled alcohol in a bush or smoke behind the bike sheds (no judging – if that’s the kind of character you have, roll with it).

Allow yourself to be a kid, for as long as you need to be. Think like your character, become your character – and then you can write in their voice so much easier.

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Read Callen’s blog here.

Interviews with Aspiring Writers: Soothing Sense

Aspiring Writers Series, Writing

The author of soothingsense.com talks Nanowrimo, favourite writing places, and the importance of seeking out a writing community to feed your inspiration.

So, first of all, could you tell us a bit about yourself as a writer?

The first time I really learned about the craft of writing was at university, where I began to find my writing voice through my undergraduate essays. I then stayed to complete postgraduate studies, including a PhD. Writing my thesis gave me a taste of the challenges and rewards of completing long writing projects, with the final piece totalling around 70000 words. There were so many times I thought I wouldn’t complete it but I’m glad I stuck with it now!

It was just as I was finishing my PhD that someone sent me a link about NaNoWriMo. The aim of NaNoWriMo, which stands for National Novel Writing Month, is to write 50000 words in the month of November. Having just finished my PhD, the last thing I wanted to do was to embark on another long writing project and so the email sat in my inbox for the next eight years or so! Happily, I completed my first NaNoWriMo in 2016 and I’m just preparing now to have another attempt at it. Taking part in NaNoWriMo has helped me to rediscover my love of writing and, although it’s difficult to fit in around work, getting in touch with this creative side of myself again has been life-changing. It gave me a sense of purpose at a time when I was feeling quite lost.

Tell us about your novel! How are you finding the process of writing and editing a longer piece of fiction?

The novel I wrote last year was a young adult fiction with a working title of Imperfect. It’s about a girl called Ella who is struggling to deal with the pressures of school and exams. Food is her only comfort but even that isn’t straightforward and, as the year progresses, Ella’s feeling of inadequacy grows stronger. The book explores Ella’s struggle with confidence and the conflict between wanting help and the fear of letting people into her inner world. I am editing Imperfect at the moment and hope to have it completed in the spring. NaNoWriMo was a great way of getting a basic outline and it really helps to be able to participate in sprints online. The editing process is feeling brutal in comparison! However, I am working with a writing mentor and her support makes such a difference! It keeps me focussed and is teaching me a lot about how to improve my writing too.
This year for NaNoWriMo, I am aiming to complete the first part of a story that examines a client’s journey through therapy told from the perspective of both the counsellor and client. The working title for this is Stupid Clocks because I always hated it in counselling sessions when we ran out of time!

What is your favourite age range / genre to write for?

I like writing for lots of different age ranges and this can sometimes make it hard to stay focused! Generally, everything I write has a strong emotional component to it and I love to write things that can perhaps inspire self-care and make it less scary for people to seek support from others. Even my PhD had a lot to do with emotions so this is a theme that has been there from the start and I continue to explore it in my blog, Soothing Sense. Although all my work has been for adults so far, I would love to write something for children one day.

Do you have any favourite places to write? Where do you feel most inspired?

I tend to write at home but I’m most productive when I’m on holiday and don’t have to juggle writing with work. One of my favourite places to go is Brighton. I’ll sit on the beach, find a lovely cafe in the Lanes or go to the local library. This is my idea of heaven!

Finally, do you have any advice to share with other aspiring authors?

My main advice would be to think about getting support in your writing journey. That could come from a process like NaNoWriMo, which can connect you to other writers online or in your local community, a writing group or from a mentor. It really helps when your confidence is low to have other people to support you! The other thing would be to think carefully about the software you use because it can make a real difference to the ease of the writing process. For most of my writing now, I use Scrivener but OmmWriter is a beautiful piece of software, which I use on days when I feel I need something a little more gentle. Finally, don’t be afraid to say no to things in order to create time to write. If you’re like me, creativity is perhaps an important part of your self-care so it’s worth an investment of your time!

You can follow Soothing Sense’s writing journey next month at https://nanowrimo.org/participants/soothing-sense, or visit their blog at soothingsense.com. A big shout out to Soothing Sense for their honest and thoughtful responses!

If you’re an aspiring writer and you’d like to be interviewed on Quills and Coffee, drop me an email at quillsandcoffeeblog@gmail.com. And if you’ve felt inspired by, or have a response to this interview – leave a comment below!

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