#FreedomFriday Vol. 1: COURAGE

#FreedomFriday

In this second issue, we have poetry from Danny Steele, artwork from Sophie Victoria Rowe, and I talk openly for the first time about creative writing and mental health recovery.

every time with you matters



I wonder what it’s like for you
I say wonder as sometimes i don’t know
or can’t hear
or don’t hear
or won’t hear

I carry on, like an elephant trampling through the wild grass
thinking ahead

time waits for noone
spending time as us has been toxic,
‘us’ has become toxic, reactionary, defensive
the kryptonite cutting through the ice, a blackened flower wilted in the heat.

rage
pain
rage
repeat

in this, in this there is hope, there is potential through the pain:
There is always room for celebration, there is always room to hear what is really being said

growth
love
growth
repeat

every time with you matters
you are important, we are significant
i enjoy it most when we just be

by Danny Steele


‘G A L A X I E S’ by Sophie Victoria Rowe
Instagram: @sophievictoriaroweart

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Writing yourself well: my creative journey

It’s so easy to lose ourselves. There are always things that need to be done, relationships we need to maintain, responsibilities we just can’t escape. Not to mention, holding on to the essence of who we are is becoming harder and harder as technology develops. We create different versions of ourselves to present on social media, to our bosses, our friends, our parents. So how can we find the courage to be truly ourselves in a society that tells us who we are isn’t good enough?

I struggled with my identity for many years. I was such a perfectionist, and so desperate to be equal parts successful and likeable in whatever pursuits I chose, that I created so many personalities I couldn’t keep track. At work, I wanted to be a loveable colleague and a valuable employee. At university, I wanted to be effortlessly successful and get the highest grade I was capable of. At home, I needed to be a perfect daughter and sister, always available to help and love and support.

But I was spreading myself too thin with all of the things I wanted to be. I’m a perfectionist anyway – a risky trait that I’m still trying to work on – and maintaining the high standards I’d set for myself just wasn’t realistic. My mental and physical health was suffering, and I had to find a way to get back to myself before I forgot who I was completely.

At nineteen, I was diagnosed with depression and began to develop an eating disorder. It started subconsciously, and without any effort to lose weight, but soon began to snowball out of control. Because I’d have periods of restriction and eating normally, my weight fluctuated, and this made it hard to ever admit that I had a problem. Somewhere inside, I knew I was grasping at control by using food and exercise, but I never fully understood why. As long as I wasn’t stick thin, I didn’t have to admit to myself – or anyone else – that there was in issue at all.

Over the next year, as my University workload increased, and I pushed myself to continue getting top grades in every assignment, I became more restrictive with my eating. People began to congratulate me on my weight loss, and this only fuelled my disordered thinking – leading me to believe that this was something else I was succeeding in. Every day, my disordered behaviours were more prominent, and the illness felt more and more like a part of my identity.

I continued my cycle of revolving personalities until I couldn’t anymore. A friend convinced me to go to the doctors, where I was diagnosed with Atypical Anorexia and assigned weekly weigh-ins, blood tests and ECG’s to monitor my physical health. But there was no psychological support available, and this lack of resources only convinced me I wasn’t ‘sick enough’ to receive treatment: something that I realised, much later, was a common belief in anorexic and bulimic patients. I was put on a waiting list for a specialist treatment program. I waited eleven months and was underweight by the time I was admitted.

It’s my first time writing about any of this, and terrifying as even most of my family and friends have yet to hear my story. It’s strange writing about a time when I was so unhappy, when to the outside world, it probably didn’t seem that way at all.

The ten weeks I spent on the program at an eating disorder unit in Bristol really were beneficial. The girls I met there were incredible, and I’ll always treasure our heart-to-hearts at the end of every session. Group therapy was something I’d never done before – in fact, I’d never done any kind of therapy before – and I was surprised to find that most of the sessions involved writing of some sort.

Spoiler alert: the story is less depressing from here on out.

Almost every group therapy had us writing something. Sometimes it was letters to our future selves, to our bodies, to each other – but the biggest piece of work we produced was our Life Map. Each week, one of us would present our life to the rest of the group. It was the hardest thing I’ve ever had to write (harder than this post, even!), but after reading my story to the rest of the girls, it was like a weight had been lifted that I didn’t even realise was there.

The treatment ended with us writing letters of encouragement and support to each other and taking home a little envelope of kind words. I still have mine now, and I hope I always cling onto it. At the end of the day, that envelope holds more than just kind words: it holds hope for the future, for all of us.

Figuring out that I could use writing as a form of therapy was an epiphany for me. The end of treatment was scary and isolating, but I had something that I could take with me and use in my recovery. This will sound like greeting-card levels of cheesiness, but I really did get back to myself through writing. Having that initial courage to explore my emotions and problematic aspects of my personality on paper was the hardest part, but once I’d started, I never stopped.

Around the time I finished the program, I had just started my Masters degree. Had it been a few months earlier, the anorexia would have been pushing me to get perfect grades, never hand in anything that would get less than a First, attend every lesson… As it happens, I started my manuscript for the course with one thing in mind: to get back to who I really was.

I started with an exercise that I now teach in my writing workshops for mental health recovery: splitting the self. 

When I was starting my Masters, I was still clinging onto my eating disorder. If there was one thing I learnt in hospital, it was that eating disorders develop for a reason, and often that reason is to help you cope. They are helpful, in a twisted way, and that makes them hard to give up. Writing about my disorder was still too raw – and I knew, somewhere, that it would do me more harm than good. So, I took my writing in a different direction: not autobiography, but fiction.

Exploring yourself through fiction is great. Honestly, it’s wonderful.

I began by taking two identities I had: Beth, who, let’s be real, I was kind of losing sight of, and this disorder. I took them away from myself, separated myself completely from them, and made them into two different characters: Etta, and Violet.

My manuscript I AM ETTA was born. I began with a writing exercise that I’d encourage you to try yourself, if you’re looking to do a little soul searching. 

It starts with picking an identity. 

I am a daughter.

I am a writer.

Et cetera. Pick your identity, and split it.

I am a good daughter, and I am a bad daughter.

I am a motivated writer, and I am a lazy writer.

You have two different identities now, but they’re so much more than that. They are two different characters. The good and the bad. Or, as one of my students described it, “Myself, and my shadow self.”

The next thing you do is give your two identities names. They aren’t you anymore. They are completely separate. It’s important to humanise these characters, and to make them into fully independent, fictional beings – because it’s hard to examine our flaws on paper. It’s hard to admit that we might not be so great in aspects of our personalities, but when you think about these characters, you will start to realise that there is a motivation behind everyone.

Even the worst parts of yourself have joys, loves, goals. Every antagonist is the protagonist of their own story, in a way.

Once I’d given my characters names, I started to jot down some words, images, and phrases that I could associate with each of them. I made two little tables, looking something like this:

Etta – “Well self” Violet – “Ill self”
Childlike curiosity
Stacks of well-read books
The colour of the sky
Kindness
Chalky poetry on pavements
Bravery
An unexploded bomb
Manipulative
Hailstones on bare skin
A cloudy sky before a storm
Flashes of manic laughter
Neon colours that hurt your eyes

Do the same for your characters. Think carefully about emotions and descriptions.

With my writing workshop groups, I usually get students to put their two characters into different scenarios. Where might they meet? How might you think about bringing them together through a narrative? 

What might they learn from each other?

Writing I AM ETTA helped me to explore my own emotions and motivations through a completely separate and fictional narrative. More than that, it helped me paint a picture of recovery for myself. I walked with Etta through her darkest moments, cried as I wrote about her suffering, but then I brought her up. I watched her grow. I was right there with her as she started her first steps towards recovery.

Through writing my manuscript, I was able to write myself well again.

I brought the focus that was on my eating habits onto my writing instead. Through nourishing my body, I had more time and energy to put into honing my craft. I graduated my Master’s degree with a Distinction, and feedback that I AM ETTA was a deeply moving and publishable piece of work.

The manuscript now sits on the desk of my agent, awaiting feedback, but it won’t matter to me if a publisher doesn’t decide to pick it up. Writing that book was the therapy I needed; a piece of writing that healed me in ways I might never fully understand.

The point of this essay is not only to shed light on a story that I’ve kept in the dark for so many years, but to show others that writing might be the way to wellness for them, too. Now several months into my recovery from depression and anorexia, I’ve been running workshops in Oxford on writing for mental health recovery. I’ve received wonderful feedback from students on all the different ways they’ve found pieces of themselves in their writing, and I’ve hope for the future that I’ll find more ways to heal myself and others through the simple act of creativity.

You can read the blurb for I AM ETTA on the Bookshelf website here, and in February 2019 you’ll be able to read an extract from the first few chapters of the manuscript.

Thank you for reading my story. It took courage to write, but that’s the whole point of #FreedomFriday. If you have your own story, poetry, artwork or creative writing to share, contact me at tomlin.bethany@gmail.com.

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‘L I V I N G’ by Sophie Victoria Rowe
Instagram: @sophievictoriaroweart
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#FreedomFriday: a new movement on quills & coffee

Mental Health, Writing

Calling all writers, bloggers, and people who have something to say. From January 2019, I’ll be starting #FreedomFriday here at Quills & Coffee. Here’s a bit of info on what it is, and how you can get involved.

What is #FreedomFriday?

It’s a project I’m starting that I’d like to begin in the New Year. The basic concept is, every Friday, a blog post will be published on Quills & Coffee about something free and liberating. Feminism, mental health, and global activism are some great topics to start with, but all-in-all, I’d like to have a collection of personal stories and articles that will encourage, inspire, and motivate others.

How can I get involved?

If you have an idea for a story or article that you’d like to share, drop me an email outlining your idea, and we can chat more about featuring your writing on Quills & Coffee. Alternatively, if you meet one or more of the following criteria but don’t have an idea for a post, email me anyway and we’ll brainstorm together!

If you…

  • are a young person (17-25)
  • are able to write about independence (solo travel, finding a job, your take on university life, your struggles & achievements as a young person)
  • are interested in sustainability (talk to me about your sustainable lifestyles, from upcycling to veganism)
  • are a feminist (talk to me about being an advocate for equality, tips for those who aren’t sure how to speak out, stories from women about injustice they’ve faced, stories from men who are helping to fight the good fight)
  • are able to speak about mental health (particularly interested in stories of recovery, volunteering and raising awareness, or personal essays that are able to invoke strength and courage in others)
  • have something to scream and shout about (this is #FreedomFriday for a reason. What is that burning topic inside of you that you need to tell others about? There are no limitations here, as long as you write honestly and with kindness and intelligence. It would be great to hear stories that are able to bring out a fire in your readers. Anything that can make people feel something is great. Want to start a revolution? Your time has come.)

The deadline for dropping me an email is 20th December 2019 for January’s #FreedomFriday’s. After that, submissions will be taken on a monthly basis.

As a side note: if you are creative / artistic and have poems, artwork, photography, or flash fiction that you’d be interested in displaying on #FreedomFriday – I would love to see it.

Once again: tomlin.bethany@gmail.com . I look forward to hearing from you soon…

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Quick Fire Questions: Sophie Victoria Rowe and Callen James Martin

Aspiring Writers Series

Sitting in their favourite writing spot, budding authors Callen James Martin (Type Write Read) and Sophie Victoria Rowe (write me wild) answer a series of writerly questions over several rounds of tea and poached eggs. (The tea was for Sophie… the eggs were for a slightly hungover Callen, who channelled his inner Gaston).

What is your favourite genre to write?

S: Contemporary, because I feel I can connect more with the characters. They’re more vivid in my imagination.

C: I’m not really fussy. I like an element of Gothic in my stories; the aspects of mystery and the need to solve something really resonate with me.

 

If you could be any fictional character, who would you be?

C: I’d want the bookish smarts and moral sense of right and wrong of Hermione Granger, with the fierce loyalty of Katniss Everdeen.

S: Sophie from the BFG. She was my childhood goal, and I saw her ambitions as my ambitions.

C: Could I also have Matilda’s independence and her… what do you call it?

S: Gumption?

C: I’d have her gumption. Her go-get-it attitude; here is an issue – and I’m going to solve it.

 

What is your favourite age range to write for?

S: Definitely Teen. I feel like I know a lot about being a teenager, and I know a lot of teenagers who are able to help me make my characters as realistic as possible. When I was a Teen reader, I’d look for books that had protagonists that I could see parts of myself in – whether that be physically or emotionally.

C: It used to always be YA… recently, though, I’m discovering a passion for Teen and Middle Grade. I’m really liking Teen at the moment. I like realistic characters making their way into unrealistic worlds.

 

Do you find it easier to write protagonists that are the same gender as you are / that you have lots in common with?

C: Absolutely not. It’s only recently that I’ve been able to write a male character, and in a way… I’m finding that harder. I keep wondering whether I’m writing this male character from my own experiences, rather than something that will be relatable to a wider audience of young boys.

S: In some ways, I find it easier. I can imagine it, and I know what it’s like to be a girl. Particularly when covering female topics or issues. When it comes to teenage boys, I find myself struggling to create a realistic character. I’m more likely to slip into stereotypes to write my way through.

C: See, I only had girl friends growing up, which is why it’s probably easier for me to relate to a female readership. Like Sophie said, I do worry about slipping into stereotypes.

 

Can you both give me a brief overview of your current writing projects?

S: I’m currently working on a contemporary novel, for a Teen readership. It dabbles with a variety of conflicts that arise at that age; social hierarchies, first loves, friendships and personal development. The novel follows Piper and Erin, two fifteen-year-old’s who used to be best friends, but have grown apart over the years. They are forced back together when Piper’s mum becomes ill and Piper has to move in with Erin and her family (including Erin’s brother – Piper’s crush, Ethan). Throughout the plot, the girls have to figure out how to deal with the situation, whilst trying to retain their social boundaries.

C: I am studying an MA in Writing for Young People, and my current project is a contemporary coming-of-age novel for a Teen readership. In a nutshell, my novel is about choosing to be who you are, not who others want you to be. It follows Noah, aged fifteen, as he deals with his sexual identity, his restrictive home life… and a stalker who knows everything about him – things he doesn’t even know himself. (Oh – and there’s a dog, called Chestnut!)

S: …who I named.

 

Who is your favourite children’s author at the moment?

S: Sara Barnard. Without a shadow of a doubt. She just has such an elegant way of displaying such personal disasters. Her characters are my friends by the end of the first chapter, and I’m hooked on their journey until the last page. You never know what’s coming next with Barnard, and I’d love to be able to take readers on the same journey. Characters in Teen fiction are so important – so having ones that a reader can really identify with really makes a difference.

C: My current Oh My God author is Robin Stevens. She has a knack for creating fully-rounded antagonists that, as a reader, you can’t help but feel things for. Not only that, but she’s not afraid to comment on cultural and social differences between characters. As an author, she deals with the Big Things – she makes you laugh, cry, or feel whatever you need to feel for the characters at that moment… Like Sophie said, she creates characters that I want as my best friends. Hazel Wong and Daisy Wells — where you at, gals?!

 

Finally, do you have any advice for young aspiring writers?

S: Write, write, write. Read, read, read.

C: I agree. For myself, the biggest learning curve that I’ve recently realised is sometimes, you can plan a novel and everything seems to flow… but other times, you’ll sit there with a blank piece of paper and nothing will come. Some ideas can’t be planned, you can only figure them out by diving in and blindly writing them.

S: Yeah, I never plan. I know the basic idea of what I want to write, and then I just write. It’s never in the right order, my scenes don’t match… and sometimes they don’t even get included.

C: –very true. When you’re blindly writing, be prepared to throw away thousands of words – not everything is going to be included in the final cut. It’s important to have done it anyway, though – through it, you’ll get a better sense of character. It’s all part of the world building.

S: No matter whether it’s included or not, it gets you into the routine of writing. Even if it is rubbish. It’s words on a page. It’s something. Write, write, write.

C: …read, read, read.

 

You can read Callen & Sophie’s blogs here.

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